“I See You”: Racialized Surveillance and Asian American Invisibility. Prism 19.1 (2022): 181-92

Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Panorama 7.1 (2021)

“Chinese Jesus” in a Broom Closet: The Many Archives of Tyrus Wong Spectator 41:2 (Fall 2021): 20-30

Rethinking the Orwellian Imaginary through Contemporary Chinese Fiction Surveillance and Society.  17.5 (2019): 738-42

“A Race of Peeping Toms” (in Chinese) Film Art, July 2019 45-50  Chinese translation of excerpted portion of introduction to Arresting Cinema: Surveillance in Hong Kong Film.

Cinema Censorship and Media Citizenship in the Hong Kong Film Ten Years Surveillance & Society 16.2 (2018): 142-157 *lead article

Pity about the Furniture’: Violence Wong Kar-wai Style.  In Companion to Wong Kar-wai, edited by Martha Nochimson, 272-294.  Blackwell, 2015.

Globalization, Masculinity, and the Changing Stakes of Hollywood Cinema for Asian American Studies In Asian American Literary Studies, edited by Guiyou Huang, 79-108.  Edinburgh: Edinburgh University Press, 2005.​

Britain’s Finest: The Royal Hong Kong Police In After the Imperial Turn, edited by Antoinette Burton, 293-307.  Durham: Duke University Press, 2003.

A Printing Devil, a Scottish Mummy, and an Edinburgh Book of the Dead: James Hogg’s Napoleonic Complex Studies in Romanticism 43 (Summer 2004): 161-185.

Empire, Coleridge, and Charles Lamb’s Consumer Imagination Studies in English Literature  43.4 (Autumn 2003): 815-843.

Arresting Cinema: Surveillance and the City-State in the Representation of Hong Kong New Formations 44.2 (2001): 128-150.